Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY

March 3 - March 9, 2020
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Janus 2019-2020
    • reduction woodcut on 12 sheets of hand made Awagami washi kosho misumata paper mounted on three scrolls: 120.5 x 95 inches overall
    • Edition of 5
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: The Five Elements (Sacred and Profane), outside view 2018
    • handmade mulberry paper, fiber and textile dyes mounted in traditional Japanese screen method: 38 x 64 inches overall
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: The Five Elements (Sacred and Profane), inside view 2018
    • handmade mulberry paper, fiber and textile dyes mounted in traditional Japanese screen method: 38 x 64 inches overall
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: Distance, Byobu 2017
    • handmade mulberry paper, fiber and textile dyes mounted in traditional Japanese screen method: 64 x 228 inches overall
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: Distance, Byobu (detail)
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: Distance, Byobu (detail)
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: Distance, Byobu (detail)
    • Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY
    • Japanese Screen Project: Distance, Byobu (detail)
photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY photo thumbnail Daniel Heyman at SPRING/BREAK Art Show 2020 • 625 Madison Avenue, New York, NY

SPRING/BREAK Art Show 2020

Cade Tompkins Projects: Booth 1058

625 Madison Avenue, New York, NY

Collectors Preview, March 3, 2020, 11am – 5pm
Press Preview, March 3, 2020, 2-5pm
VIP Opening Night, March 3, 2020, 5-9pm

Regular Hours: March 4 – 9, 2020: 11am – 8pm

The monumental woodcut Janus by Daniel Heyman will debut at SPRING/BREAK Art Show 2020.  The work is presented as a three-part, traditionally hinged Japanese scroll. The woodcut was recently completed in 2019 in Philadelphia with Master Printer Cindi Ettinger.

Accompanying Janus will be two handmade screens from Daniel’s Japanese Screen Project Series.

About Janus: Janus was inspired by Daniel Heyman’s frequent trips to Japan and his visits to a specific 13th century sculpture called Kuya-Shonin or St. Kuya located in Kyoto.

Janus was inspired by Daniel Heyman’s frequent trips to Japan and his visits to a 13th century sculpture called Kuya-Shonin or St. Kuya located in Kyoto. As Daniel explains, I love this sculpture – the figure is so humble, so burdened with the drum and the heavy robes, and just those little slippers, and then out of his mouth, as if he is dreaming, appear these little figures of Amida Buddha. If the little figures that flow from St. Kuya’s mouth represent Amida Buddha – and the saint is able to conjure them through his voice, then I see in this sculpture a vision of the endless creativity of human thought. 

Janus (the root of which forms the month of January) is also a Roman deity and is represented throughout art history as a two-headed figure – an old man looking back in time and a young man looking forward.  One can interpret Janus as the containment of double nature, two unresolved ideas existing in one person. Janus also represents the collapsing of time into an endless string of birth, renewal and death for all creatures, where even the very human act of creating culture is seen as both creative and destructive.

Artist(s) Involved